WSD25 Scenofest will serve as a global platform for theatre professionals, students, and enthusiasts to engage in workshops, masterclasses, and performances related to performance design. It offers opportunities for participants to learn from renowned experts, collaborate on creative projects, and explore new techniques.

مهرجان  السينوغرافيا هو عنصر مهم في تصميم المسرح العالمي. في عام 2025، سيكون مهرجان السينوغرافيا  بمثابة منصة عالمية لمحترفي المسرح و الطلاب و الهاويين للمشاركة في ورش العمل والدروس الرئيسية والعروض المتعلقة بتصميم المسرح. سيوفر فرصاً للمشاركين للتعلم من الخبراء المعروفين، والتعاون في المشاريع الإبداعية، و استكشاف تقنيات ومستقبل جديد في تصميم المسرح.

 سيعزز مهرجان السينوغرافيا التعاون الدولي وتبادل الأفكار، و يهدف إلى إلهام و تثقيف الجيل القادم من مصممي و فنيي المسرح مع تعزيز تبادل المعرفة والإبداع داخل مجتمع الأداء العالمي.

 

 ترقبونا سيتم الإعلان قريباً

PERFORMANCES

  • Pepe | Pōtaka Nautilus

    Daniel Belton and Good Company Arts

  • In Between

    The Living Picture Theatre

  • Dragon & Tiger

    Good Company Arts with Mark de Clive-Lowe

  • Waterside

    Kininso Koncepts

  • Pain Killer

    Fruzsina Nagy & Rita Góbi

  • Hikayat Wanatentrem

    Maharani Mancanagara

    Image credit: Maharani Mancanagara

  • Maybe Tomorrow

    Chloeography Project

  • Transcendent Renaissance

    Călin Țopa

  • عايش بالصدفه

    Accidentally Alive

    Ward Group

  • Afro-Bhangra Fusion fusing the sounds of culture of North India and Southern Africa with a British Twist

    Cohesion Plus

TALKS

  • Tomorrow's Heritage: The Use of Robotics in Designing Performance Spaces

    Ali Cadir

  • From Concept to Creation: The Impact of Digital Communication on Theatre Design Processes

    Patrick Rizzotti and Rachel Peake

  • Beyond the Canvas: 'Secret of the Raft' Pushes the Limits of Theatrical Storytelling with Live and Digital Integration

    Louise Howlett

  • Tactile Models: An Initiative for the Future of the Performing Arts

    Shusaku Futamura (JATDT: Japan Association of Theatre Designers and Technicians)

  • Ad Parnassum - Purapurawhetū

    Daniel Belton and Good Company Arts

  • And if the "expanded field" is no longer enough?

    Alceu Silva Neto

  • Minimalistic Scenography

    Zuzu Hudek

  • Interviewing, writing and covering the people that make theatre

    Richard Bryant

    Publication & Communication Commission OISTAT

  • A Glimpse into PQ 2027: The Journey and Vision of Prague Quadrennial

    OISTAT HQ

  • Arab Representations at the 2027 Prague Quadrennial

    Hadi Damien

  • Costume Flash Talks

    OISTAT Costume Sub-Commission

  • Curatorial Approaches for Heritage in Performance and Space Design Exhibition 

    Hadi Damien & Aby Cohen

  • Which University? Flash Talks

WORKSHOPS

  • Tech-Infused Theatre: From Rehearsal to Reality

    Maziar Ghaderi

  • Interaction of Color and Light

    Dinesh Yadav

    SHE KILLS MONSTERS: by Qui Nguyen, Director: Alan Kopischkei, Lighting Design: Dinesh Yadav, Scenic & Projection Design: Sera Shearer, Costume Design: Kaoime Malloy, Company: Theatre & Dance UW-Green Bay, 2023

  • Angles of Consequence

    Meghan Moe Beitiks

  • Performing the Director’s Notes: Pickle Party x “Living” Stage

    The Theatre Practice x Ang Xiao Ting x Tanja Beer

    (Photo by Tuckys Photography, Courtesy of The Theatre Practice)

  • Track

    Magda Cirillo

  • ورشة الاستدامة في الإضاءة المسرحية

    From Consumability to Sustainability

    Murtaja Alhumaidi

  • Creating A Geolocated Sound-walk

    Jorg Schellekens

    Image credit: Floris de Jong

  • Sound as Scene - Sustainably Creating Place and Emotion

    Roger Alsop

  • Interdisciplinary Workshop

    Maaike Westinga & OISTAT Architecture Commission

  • Stage Lighting for Puppets

    Sabrina Hamilton & Psyche Chui

  • From Many Eyes: An Exploration Of World Design Through Lighting Scenarios

    Adam Mendelson & Travis Hatt, OISTAT Lighting Sub-Commission

  • Beginning and building your creative research journey: a professional development workshop

    Tessa Rixon, OISTAT Research Commission

  • Common Design Project

    William Kenyon, OISTAT Education Commission

  • Costume in Circle

    Erika Schwarz

  • Costume / Prosthetics as a sculptural, poetics and scenic movement device

    Carolina Jimenez and Laura Marnezti

  • Tatreez Therapy

    Eman Alkhawaja 

  • Embracing Regional Costume Heritage

    Marwa Auda & OISTAT Costume Sub-Commission

  • ورشة عمل لصناعة العرائس

    تُعتبر الدمى من العناصر الجوهرية في المسرح المعاصر، حيث تُستخدم كوسيلة فعّالة للتعبير عن الشخصيات والأحداث المتنوعة. تلعب الدمى دورًا محوريًا في بعض الأعمال المسرحية، مما يُساهم في تعزيز التواصل البصري والسمعي وتُساعد على إيصال الرسائل والمفاهيم بصورة مبتكرة وجذابة.

    Dr Kholoud Al Rasheedi

PANEL DISCUSSIONS

  • A Global Network for the Next Generation: International Collaboration between OISTAT and NGOs

    OISTAT HQ

  • Ecological Design in Lighting

    Adam Mendelson & Travis Hatt

  • Technical Innovation in Costume

    Moderator: Madeline Taylor

  • Costume Design + Heritage

    Moderator: Rosane Muniz

MASTERCLASSES

  • Networked Music Performance: Fostering Intercultural Collaboration While Minimizing Ecological Impact

    Nela Brown

  • Built Heritage as a Stage

    Miljena Vučković

  • Colour Dramaturgy - Stage Lighting : The colours of Sintang Dalisay, a southern Filipino adaptation of William Shakespeare’s Romeo and Juliet

    D Cortezano

  • Experimental Costumes

    Fruzsina Nagy

OUT OF THE BOX

  • WSD25 Research Symposium: Scenographic Heritage, Design Futures, & Sustainability

    Tessa Rixon, Slađana Milićević, Kathleen Bell, Michelle Bohn

    OISTAT Research Commission

  • The Forest

    Victor Zapatero

  • Alam-e-Alam (The States of Worlding): Tilism Bazi

    Sana Akram

  • SOY (Be) - Expansive & Immersive Costume Experience 360°

    Felipe Conejeros

    Image credit: Martin Schaeffer

  • The Walk

    Juli Balázs, Eszter Kálmán, Gábor Karcis

  • Cover The Walls

    William Kenyon, OISTAT Education Commission

  • كتاب المسرح الأخضر

    Launch Event

  • Sound Kitchen

    Peter Rice & Robin Whitaker, OISTAT Sound Sub-Commission

  • The Art of Costume

    Andrea Forde, Sharjah Performing Arts Academy